(Untitled) modern keeping the work perfectly flat

keeping the work perfectly flat and true

displayed in a black wooden frame with hanging device

which was then submerged into the mixture leaving an ambiguous aesthetic

I titled them Green Error Complex to reference the obsessive perfectionism that often comes through in my work

Image Size A1

(Untitled) modern keeping the work perfectly flatWatercolour and watercolour pencil on paper, 15x30cm. Unframed. Sylvia Batyckas painting practice engages with female narratives and the aesthetics of absence. Using a sartorial and photographic language, she transforms traces of the past into spectral presences that dwell between recognition and loss.