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and Cachao
Watch The Sunrise
Esta es la camiseta que Hector Lavoe solía usar para sus espectáculos
all with the sophisticated
previously unreleased Bill Evans Trio concert from 1975
Graveyard Blues (CD) Fania and CachaoDetails Much of Hooker's best loved work was recorded for independent Chicago labels like Vee Jay in the '50s and '60s, but the bluesman's long, prolific career began in the late '40s in Detroit. During that time, as chronicled on Graveyard Blues, Hooker refined the doomy, foot stomping boogie style that would become his trademark. The Hooker of '49 '50 sounds less tormented, lacking the existential edge of his later recordings. Instead, there's a
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