4D White Blue Red Blue Sambalpuri Cotton (Fabric) Metres:2 After dyeing

After dyeing

white and black squares design placed spaciously all over the fabric along with beautifully designed borders and middle ikat work

Here is the pattachitra painting of Konark Chakra on grey plain cotton Handloom fabric

this elegant stole showcases the natural texture and subtle golden sheen that make Tussar silk truly distinctive

Method of production of this fabric: The tie and dye or ‘bandha’ of labanga (cloves) motifs is done beforehand for hundreds of metres by two to three weavers together

4D White Blue Red Blue Sambalpuri Cotton (Fabric) Metres:2 After dyeingSambalpuri Bandha Saree & Fabrics from GI (Geographical Indications) document says that Tie & Dye weaving in western Odisha came into existence during 600 BC. In traditional handwoven ikat or baandha, one of warp weft is tied and dyed prior to weaving (single ikat) or both warp and weft are tie dyed before weaving (double ikat). Weavers are distributed in Bargarh, Boudh, Sonepur, Bolangir, Nuapada & Sambalpur & some parts of Dhenkanal, Kalahandi,