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This transformation challenges the traditional role of textiles
Woven cotton warp and weft on canvas
began to be produced in Japan during the Azuchi-Momoyama period (1573-1600)
signed and titled
digitally restructured
"What Remains: Woman, No. 14" Women As Objects #4 Weaving This transformation challenges the traditionalWhat Remains: Woman, No. 14 Archival paper, pen and glue 11" x 17" Part of the ongoing series Women as Objects: What Remains One of a kind, signed and titled. Arrives unframed. Women as Objects: What Remains Across centuries and cultures, a woman's body has been dressed as a social contract. Her clothing announced her availability, her marital status, her husband's wealth and lineage. Elaborate lacework, heavy metalwork, layered textiles worn not as
