LIZZ ASTON "MONUMENT (TO A FUTURE SELF)" 2020 Joyce Wieland 1960s Like many of his contemporaries

Like many of his contemporaries in Los Angeles in the 1960's and 70's Davis' practice embraced new materials and techniques

“Edmonton” is a quintessential example of his mastery of geometry and color

alongside Jackson Pollock

if not 20th-century American abstraction

Tom Thompson

LIZZ ASTON "MONUMENT (TO A FUTURE SELF)" 2020 Joyce Wieland 1960s Like many of his contemporariesLizz Aston's practice is informed by the history and production of textiles and decorative arts. In recent years she has also been intrigued by nature (including flowers and semi precious rocks), human interconnectedness, and the current sociopolitical environment. Her process often begins with an anonymous textile pattern, such as a hand made lace doily, and then manipulating it digitally before creating a new contemporary descendant. These