LOUISE NEVELSON "JUMBO" WORKING PROOF LITHO, 1966 American art 1990s Loose and simple lines form

Loose and simple lines form expressive figures filled with movement

Holzer was the first female artist to represent the US at the Venice Biennale in 1990

frequently executed in encaustic (one of the most difficult mediums to work in)

while maintaining the confident control of Town's stylized linework

By the early 1960's he had established a modest local reputation as an artist and joined the Gallery Moos stable in 1964

LOUISE NEVELSON "JUMBO" WORKING PROOF LITHO, 1966 American art 1990s Loose and simple lines formCollage was an important part of Louise Nevelson's practice. The process mirrored her approach to sculpture; taking disparate elements and assembling or uniting them into a complex whole. Similar to her American contemporaries, Nevelson delved into printmaking beginning in the early 1950's. She worked with the leading printing studios in America adopting new techniques while expanding her aesthetic and oeuvre considerably. This piece was a working